Take Manager
Posted: Tue Jan 13, 2015 04:26
It’s with great hope that Pyramix incorporates an extended editing feature that functions as a Take Manager.
This loosely constitutes a quasi 4-point source/destination editing function, simply and very quickly manipulated from a Manager-type docking checklist.
This feature would allow the user to merely check a box from a list and flip through the (multi-track) takes while playing back in real time. In addition, this would allow portions of split clips (highlighted portion) to cycle through takes, while leaving the remainder of the take intact.
I should also point out that Takes do not have to be time coincident in the Time Line. That is to say, any recorded (multi-track) Take, or highlighted portion of a Take, regardless of time position, can be flipped to an earlier/later Take on the spot. Recording Loop/punch modes would not necessarily be required to be engaged. The option to automatically overlay takes on top of each other (as with playlists) would be equally amenable as having them spaced out sequentially in time. Both options become indispensable as a resource for refining and accelerating the processes of editing and comparative auditioning.
This loosely constitutes a quasi 4-point source/destination editing function, simply and very quickly manipulated from a Manager-type docking checklist.
This feature would allow the user to merely check a box from a list and flip through the (multi-track) takes while playing back in real time. In addition, this would allow portions of split clips (highlighted portion) to cycle through takes, while leaving the remainder of the take intact.
I should also point out that Takes do not have to be time coincident in the Time Line. That is to say, any recorded (multi-track) Take, or highlighted portion of a Take, regardless of time position, can be flipped to an earlier/later Take on the spot. Recording Loop/punch modes would not necessarily be required to be engaged. The option to automatically overlay takes on top of each other (as with playlists) would be equally amenable as having them spaced out sequentially in time. Both options become indispensable as a resource for refining and accelerating the processes of editing and comparative auditioning.